fabric mat A mat which has been covered with fabric. fade(ing) To lose or cause to lose brightness or brilliance or definition of line, form and colour. fillet (wood) A small molding with profile that may be used as an edging on a mat or frame lip. Profiles may differ somewhat. May also be called a slip. fit(ting) The process of assembling glass, mats, artwork and filler board into a picture frame, including the addition of a dust cover, hangers and bumper pads. float(ing) A means of securing artwork to a rigid support so all edges are visible. float mat A window mat raised or elevated off the underneath surface by spacers. floater A molding designed to give the artwork the appearance of floating within the frame. Floater frames have a rabbet in reverse; the artwork is fitted in from the front. folio A flat container for holding/storing artwork frame That decorative or functional element which surrounds an item, providing protection and display functions. Typically made of wood or metal, a frame generally provides the architectural support element for a work of art. frame design 1) The characteristic appearance of a frame, identified with a historical period or as being that of a particular frame maker. 2) The process whereby the appearance of a frame is planned, designed and executed. 3) The process whereby framing components are selected for a particular artwork. gicleé (gee-clay) Giclee' - is a French term meaning "spraying of ink." Printing is directly from information obtained from the original painting, Iris Printers spray microscopic drops of colour on to a fine art paper or canvas. Displaying the full colour spectrum, these artworks have vibrant, brilliant colours and a velvety texture. This gives the finished product the look and texture of an original painting. gild(ing) The art of adhering thin metal, silver or gold leaf to a surface. glass mat A style of matting, the mat is painted, etched or leafed onto the surface of a piece of glass. glassine A semi-transparent paper. A smooth, non-abrasive surface makes it ideal for interleaving or overlaying delicate artwork, such as a fragile etching or pastel painting, and it will not adhere to the varnish on oil paintings. glaze(ing) 1) A protective interface between the environment and the work of art including glass and acrylic sheets. 2) In oil painting, a thin layer of a transparent coating applied to the dried painting. 3) In ceramics, a thin coating applied to a piece before it is put in the kiln. It functions as a means to waterproof the object, change its colour or generally alter its appearance. 4) On frame molding, a thin coat of colour applied over a base finish to change its appearance. gold leafA very thin sheet of beaten gold used in gilding. Also referred to as "loose leaf." Gold leaf is available in 12-23 karat gold. Each leaf is cut to a standard 3 3/8 inches square and has a thickness of approximately 1/300,000 of an inch. Gold leaf is packaged in books of 25 leaves, each leaf separated by tissue paper. A pack or box of gold leaf contains 20 books, for a total of 500 leaves. gouache 1) An opaque watercolour paint. 2) A painting done with such a medium. hand-pulled print A print that has been manually lifted from the printing plate. hickory A hardwood tree that grows throughout the eastern half of the United States; the wood is exceptionally tough, heavy, hard and strong. hinge A small piece of paper or tape generally used to attach paper art to a mounting board. hors de commerce Similar to an artist’s proof. Impressions pulled outside of the regular edition for the use by the publishers. illustration board A sheet of cardboard with a sheet of drawing paper mounted on one side. Illustration boards are mostly used by commercial artists image 1) The printed or coloured portion of a print. 2) A physical likeness or representation of a person, animal or thing; photographed, painted, sculpted or otherwise made visible. imprint A mark or depression made by pressure. intaglio A term that includes all metal plate engraving and etching processes in which the printing areas are recessed, e.g., engraving, etching, dry point and aquatint. Japanese paper Handmade paper with a web of strong naturally formed fibres; ideal for hinging purposes. The best are made with 100 percent kozo or gampi fibres, which have not been bleached or chemically processed. join(ing) In framing, the operation of gluing and nailing the corners of a frame. |